South African playwright Athol Fugard, renowned for his works during apartheid, passed away at 92. His plays, including *Boesman and Lena*, *The Blood Knot*, and *Sizwe Banzi is Dead*, addressed racial injustices and human resilience. Fugard’s distinctive style blended poignant realism with hope amidst suffering, reflecting the struggles of marginalized individuals. His work resonated globally, and he championed themes of connection and survival. He often emphasized the importance of rhythm in theatre, likening it to music. His legacy continues to bear witness to the human condition, exploring survival, love, and social transformation.
Source: The Conversation