Cape Town ceramicist Chuma Maweni is using clay to connect contemporary artistic practice with Nguni traditions, ancestry, and memory. His work ranges from smoke-fired, burnished vessels rooted in traditional techniques to high-fired pieces exploring identity. Maweni embraces the unpredictability of clay, allowing the wheel and firing process to influence his work rather than seeking complete control. His use of ancient smoke-firing and burnishing techniques reflects a deliberate effort to keep cultural knowledge alive while presenting it in contemporary forms. Before establishing his own studio, Maweni taught ceramics to rural women and says he learned extensively from their lived experiences. He sees his craft as a responsibility to future generations, preserving tradition while shaping conversations that will outlast him.

